![]() Only the names display differently in the 2 versions, besides that, everything else is exactly the same. I love the GUI and it comes in 2 flavors: English and Russian. If you’re a beginner then this isn’t the plugin for you as it can be difficult to dial in the sound you want. This offers a tube powered type of compression that adds a lot of color to everything and has a massive sound with lots of very useful controls for getting your signal just right. Look no further than the Molot compressor. Now for the best 5 compressor freebies: Molot by Vladg Sound The most notable compressor in this category is the legendary Teletronix LA-2A. Use an optical compressor on the mix bus and/or instrument bus to even out the dynamics of an entire song without affecting transients. Optical compressors are more “RMS” style as they work throughout a mix to even out the average levels in a track or complete song. However, you could use a high pass side chain filter to control this. ![]() Newer emulations of optical compressors may have faster response times and with careful adjustments can even be used on drums.Īlthough optical compressors are very transparent, they do add pumping to low end signals. If you want to compress anything naturally and musically, this is the compressor for the task. It is slow, 10 milliseconds attack and seemingly 2-stage release makes it more suitable for use on signals without sudden transient spikes such as strings, guitar and bass. The Opto compressor is slow acting and smooth in contrast to the two previous compressors and offers a more musical type of gain reduction. For a more complete solution compatible with mac and windows 32 and 64 bit, check out Comp FET 76 by Arturia, though this will set you back more than a coffee. ![]() Punch Compressor is only available for Windows 32-bit VST. For this reason, it’s not ideal for use on your mix bus, for mastering or when a transparent signal is desired. This compressor loves to be driven and will add a rich and warm type of distortion to louder signals passing through it. You can then adjust the output knob until the desired sound is achieved. Because they don’t have a dedicated threshold knob, the compression amount is controlled by the input level. If you’re looking for subtlety, this isn’t the compressor you want to use. ![]() FET (Field Effect Transistor)įET compressors are well known for adding a distinct character to the sound. Notable compressors in this category are the SSL G-Series Console Bus Compressor and the DBX 160. Use a longer release time to smooth out the signal if it becomes too harsh. Use a VCA compressor to tame peaks on your drum bus and other percussive elements on individual tracks in your mix. So for those times when you need to compress, but want to retain the integrity of your audio, this is the compressor you reach for. Adjust the release time to smooth out the signal a bit. In addition, VCA compressors are transparent and won’t add color to the sound of the audio signal, but can tend to sound thin. The best use for them is with percussive elements because of their fast attack and release. They are quite flexible and able to adapt to various kinds of use case scenarios such as gluing a mix bus together or suppressing transients. For starters, hardware VCA compressors don’t require the pricey discrete components needed by other compressors and are normally more affordable as a result. The VCA compressor offers several advantages that the others on this list don’t. Types of Compressors VCA (Voltage Controlled Amplifier)
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