![]() Indeed, the band would later talk about how quickly the song came together. From Van Zant’s intro – a fortunate recording accident, he was actually telling producer Al Kooper to turn up the microphone in his headphone mix, while the tape was rolling – onwards it sounds like you’re there in the studio with the band, live in that moment. There is something unquestionably immediate about the song, its simplicity, and its energy. An electric moment in a song that will become legendary, and which will propel the Florida band up the charts on its release in 1974. "And then maybe we can begin to change how it's being used." You have to wonder what Ronnie Van Zant would have thought of that.ĭaoud Tyler-Ameen contributed to the digital version of this story.The year is 1973, and in Studio One, Dooraville, in Atlanta, Georgia, Ronnie Van Zant, the lead singer and guiding light of Lynyrd Skynyrd mutters ‘Turn it up’ into a microphone. "Maybe I should program that song in February, during Black History Month," he says, laughing. Panion says he could see going one step further to reclaim "Sweet Home Alabama" as an anthem for all Alabamians. "And everyone don't necessarily subscribe to the policies and practices of bigots and racists."įor some, the passage of time has muted the song's ambiguity. "What they were trying to do when they wrote it was say, 'Everybody's talking about the South, but there are some wonderful things about the South,' " he says. He's a composer and professor of music at the University of Alabama at Birmingham, who recently arranged the song for marching band and symphony orchestra. I don't think you can go to a party and play that song without everybody singing along."ĭr. "I feel like that personifies a lot of America. ![]() "It's honestly an American anthem - it really is," he told NPR. At a concert featuring the reconstituted Lynyrd Skynyrd in Kansas City, fan Nick Paul was tailgating outside before the show. Some still insist that Southern pride, absent the racism, is what "Sweet Home Alabama" is all about. I asked Clayton if appearing on the record was a way of laying claim to it - of saying, "My experience is part of the Alabama experience as well." Her response? "Absolutely. Ronnie Van Zant was among the dead, and he remains the ghost in the room when the intent of the song is discussed.Īnd yet, there she is on the finished track. In 1977 - just three years after the song hit the airwaves - three members of Lynyrd Skynyrd and their road manager, as well as a pilot and copilot, died when their chartered plane went down. That's another thing: The definitive take on the meaning of "Sweet Home Alabama" may have left the world decades ago. I'm sure if you asked the other guys who are not with us anymore and are up in rock and roll heaven, they have their story of how it came about." But he also added that there were "a lot of different interpretations. We put the 'boo, boo, boo' there saying, 'We don't like Wallace,' " Rossington said. "A lot of people believed in segregation and all that. Skynyrd guitarist Gary Rossington co-wrote "Sweet Home Alabama," and in the Showtime film he addressed that line. In 1963, when he was elected to his first term, Wallace famously said, "I draw the line in the dust and toss the gauntlet before the feet of tyranny, and I say segregation now, segregation tomorrow and segregation forever." "In Birmingham, they love the governor (boo! boo! boo!) It's an integral part of our nation's history." "At the root of it is a very human dilemma of bigotry and stereotyping," Kemp says. Mark Kemp, originally from Ashboro, N.C., offers one perspective he's the author of a book called Dixie Lullaby: A Story of Music, Race and New Beginnings in a New South, a memoir about his relationship with rock and roll from the region. And in the documentary, Van Zant offered this: "Everybody thinks we're a bunch of drunken rednecks. Back then, Lynyrd Skynyrd performed in front of a large Confederate flag - at the suggestion of its record label. " From what I'm told you were born in Canada."Įven as the song was positioned to dispel some stereotypes of the South, the band was embracing others. "What are you talking about, you know?" Van Zant said. A Southern man don't need him around, anyhow
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